WATCH THE TRAILER!
This episode contains a rare look at Abby and Brittany Hensel, dicephalus conjoined twins, having two heads and sharing one body.
Abby: “We wanted to make this documentary so people wouldn’t always have to stare and take pictures because we don’t like it when they take pictures”.
Dicephalus (Two Headed) Conjoined Twins Abigail and Brittany Hensel are about to turn sixteen. They’ve shared every single moment of their lives, but it wasn’t a matter of choice. These twin sisters are joined for life.
Abby and Brittany were born with just one body between them. The only known surviving dicephalus conjoined twins. They’ve spent their lives in a small close-knit community, completely protected from prying eyes.
The girls live on a farm in Minnesota with their younger brother and sister, Coty and Morgan, and their mother and father, Patty and Mike Hensel. As they reach sixteen, on the brink of womanhood, they decide to show the world what it’s really like to be joined for life.
Every moment of their lives requires the twins to cooperate with each other, and they appear to be totally in sync, but that doesn’t mean they always agree. Brittany describes Abby as bossy and outspoken. Abby describes Brittany as having been shy but becoming more confident, she likes to take her time with things.
The Whitest Kids U’ Know, returns to IFC this spring with ten all-new 30-minute episodes premiering on Friday, April 15 at 10:30/9:30c.
I found this link about the 10 best cover albums on Flavorwire. I though about how often people complain about movie remakes. Some people get bent out of shape about remakes of classic films, but rarely, if ever, do you hear people complain about cover songs. You might hear the original song and the cover version being compared — eg. “the guitar work on Madonna’s original of “Burning Up” shreds over Greg Ginns guitar playing on the Ciccone Youth version” — but with film remake discussion the tone can sound as if vandals are desecrating a holy shrine.
It’d be interesting to see cover versions of films – we all know the storyline, but to see how it would be interpreted by a different creative team or perhaps in another culture. In a sense this is the essence of a remake – it’s the cover version of the original film being played by a different “band” – a better, lesser, or just different band. What does this tell us about the story they are both based on? First of all that it’s compelling enough to do a new version of it. Isn’t this in a sense what’s also happening when a book is turned into a film. It may not be as clear a lineage since the format of media is making a huge leap, but the essential story and characters are the same.
I was really surprised when I saw the David Fincher remake of “The Girl With The Dragon Tattoo” because it was not nearly as violent and grunge-y as I’d expected having seen the original film first. I didn’t really know what to expect when I saw the original version as I knew nothing about the film, the book, or even what genre it was when I went and I was completely surprised that it was in fact a violent film. But the Fincher version seemed really glossy from the opening credits and this somehow made the treatment less violent and less gory. Was it actually less graphic? I’d need to revisit the original to really compare. But Fincher is an accomplished enough director with such a distinct style and vision. It’s not as striking a cover as say DEVO covering “(I Can’t Get No) Satisfaction” – they’ve done it in their own distinct style, but stayed very true to the emotion and theme of the song while uncovering an great new take on frustration in their version – a darkly comic twist which serves to enhance it well. Is it better? I wouldn’t say that because the two are so different and the one would not exist without the other. The DEVO version is enhanced by being able to build upon and uncover more of the original song. It wouldn’t be the same if you hadn’t heard the original Rolling Stones version.
What if filmmakers embraced the cover film?
How about a movie cover of REPO MAN by P.T. Anderson, a cover of SWEETIE by Todd Haynes, ERASERHEAD by Miranda July, ONE FLEW OVER THE CUCKOO’S NEST by Andrea Arnold, ALL THAT JAZZ by Nicolaus Refn Winding, “Kramer v. Kramer” by Asghar Farhadi, TAXI DRIVER by Gaspar Noe, SWEET SMELL OF SUCCESS by Michelle MacLaren, and a cover of DO THE RIGHT THING by Lee Daniels?
What are some movies you’d like to see covered and who’d direct?
I like to read about film so I was jazzed to find this stack on Delicious:http://delicious.com/stacks/view/BZQ8dq
links to online film rags!
Currently in the process of getting Boppin’ back online. Our Prescreen.com run has ended and whoah Nelly what a learnin’ experience it’s b====n! More details pending once we find our new home(s).
Meanwhile it’s readin’, writin’ and filmin’ (heavy on the readin’ these days, but I can’t help it, I’m hooked!)
Well the big experiment with Prescreen.com is nearly half completed. As of tomorrow JUNKIE NURSE will be streaming on Prescreen for only another 30 days. How have we done so far? We broke the record for most sales that weekend we premiered! At this point we have fallen back to 3rd place which is great considering that there are 38 films on the site so far!
A few days after we broke the record another film beat us a by a few and then a week or two later we were all wiped out by another film which jumped up to 6oo buys! Oh well, it was great while it lasted
Here’s the guest blog I did for producer Ted Hope’s great site HOPE FOR FILM on Indiewire:Jeff Orgill on “Anatomy of a Prescreen Launch”
It was quite an honor blogging for Ted’s site!
I’m currently cooking up a couple more blogs for other sites as well. I guess this is a great jumpstart to get me back into writing my next projects. I’ve been reading a lot of other scripts from InkTip.com and also wokring on two scripts with co-writers, Charlie Santore (“Sleep Tight”) and Sarah Tatting-Kinzy (“The Girl With The Wandering Eye”). More to come on these projects in future posts.
The day of our JUNKIE NURSE Prescreen launch Ryan Koo of No Film School, one of my favorite blogs about filmmaking (I mean moviemaking, film’s dead right?), posted a guest blog I wrote for his site:The Magic and Madness of Picking a Start Date — and Sticking to It
It’s quite an honor to be a part of Koo’s useful and interesting (if you are a film nerd like me) web site.
If you have any “start date” war stories please post a comment and share the wisdom.
Welcome to the brand new website for Boppin’ at The Glue Factory! It’s been quite a long journey getting here and I have lots of stories to tell about how we did it that will be very helpful to others choosing this path. But right now I just want to say thanks for joining us and being a part of the exciting artistic endeavor they call indie filmmaking.
If you haven’t already done so please sign up for our email list (it’s in the site footer, bottom of the web page) so you will get updates about Boppin’, this blog, and other fun stuff.
And most importantly please sign up for Prescreen so you will get their email about the Boppin’ Worldwide Online Premiere this Friday! That’s only two days away! I’m extremely excited about this as it’s the first time Boppin’ will be publicly available to buy and watch. It’s a big deal for me and something I’ve been looking forward to for a long long time! I will fill you in on the intricacies of why it’s taken so long in future blog posts. So please stay tuned.
Boppin’ at The Glue Factory (Junkie Nurse)
p.s. I stopped smoking the day I found out I was going to be a dad. But I still dig this photo. Thanks Jacqui and Josie for helping me quit! [photo by Jacqueline Harris]
Boppin at the Glue Factory will be premiering on Prescreen.com on Friday, Oct. 7th!